Verk av John Cage

Dette er ei liste over komposisjonar av John Cage (1912–1992), sett opp kronologisk etter komposisjonsår.

Musikkverk

1932–36 (opplæringsperioden)

• Greek Ode, for song og piano (1932)
• First Chapter of Ecclesiastes (The Preacher), for song and piano (1932, kanskje ikkje fullførd)
• Three Easy Pieces (1. Round in A minor, 2. Duo in G major, 3. Infinite canon in F minor), for piano (1933)
• Three Songs for voice and piano, (1932–33)
• Sonata for Clarinet (1933)
• Sonata for Two Voices, for to instrument med spesifisert toneregister (1933)
• Composition for 3 Voices for tre uspesifiserte instrument (1934)
• Solo with obbligato accompaniment of two voices in canon, and six short inventions on the subjects of the solo, for tre eller fleire instrument (1934, seks invensjonar revidert i 1958)
• Three pieces, for to fløyter (1935)
• Quartet, for fire uspesifiserte perkusjonsinstrument (1935)
• Two pieces, for piano (1935?, revidert i 1974)
• Trio, for tre perkusjonistar (1936)

1937–51 (moderne dans, preparert piano og overgang til aleatorikk)

Sjå òg: Verk for preparert piano av John Cage

• Metamorphosis, for piano (1938)
• Five Songs, for kontraalt-solist og piano (1938)
• Music for Wind Instruments, for treblåskvintett (1938)
• Imaginary Landscape No. 1, for to fonografar med variabel snøggleik, frekvensopptak, dempa piano and cymbal (1939)
• First Construction (in Metal), for seks perkusjonistar med ein assistent (1939)
• Second Construction, for fire perkusjonistar (1939–40)
• Bacchanale, for preparert piano (1940)
• Imaginary Landscape No. 2 (første versjon), for tape, strengepiano og perkusjon (1940, trekt tilbake av Cage)
• Fads and Fancies in the Academy, for fem opptredande med ulike gjenstandar (1940)
• Living Room Music, for perkusjon og snakke-kvartett (1940)
• A Chant With Claps, for stemme (1940?, kanskje c. 1947 eller 1949–50)
• Dance Music: for Elfrid Ide, for perkusjonsensemble og piano (1940)
• Opening Dance for Sue, for piano (1940–41)
• Third Construction, for fire perkusjonistar (1941)
• Dance to the West, for piano (1942)
• Forever and Sunsmell, for låg stemme og piano (1942)
• Totem Ancestor, for preparert piano (1942)
• Jazz Study, for piano (1942, forfalska verk, kanskje ikkje av Cage)
• Imaginary Landscape No. 3, for seks perkusjonistar (1942)
• Imaginary Landscape No. 2 (March) (1942, første tittel: Imaginary Landscape No. 4)
• The City Wears a Slouch Hat, for forteljar og seks perkusjonistar (1942)
• Credo in Us, for fire opptredande med ulike gjenstandar (1942)
• And The Earth Shall Bear Again, for preparert piano (1942)
• The Wonderful Widow of Eighteen Springs, for stemme og lukka piano (1942)
• Primitive, for preparert piano (1942)
• In the Name of the Holocaust, for preparert piano (1942)
• Ad lib, for piano (1943)
• Our Spring Will Come, for preparert piano (1943)
• A Room, for piano eller preparert piano (1943, eigentleg tredje del av She is Asleep)
• She Is Asleep: 1. Kvartett for perkusjon, 2. Duett for song og preparert piano (1943)
• Amores, for perkusjon og preparert piano (1943)
• Four Dances (What So Proudly We Hail), for song og preparert piano (1943)
• Tossed As It Is Untroubled, for preparert piano (1943, første tittel Meditation)
• Triple-Paced No. 1, for piano (1943)
• Four Walls, for piano og song (i ein av satsane) (1944)
• Prelude for Meditation, for preparert piano (1944)
• Root of an Unfocus, for preparert piano (1944)
• Spontaneous Earth, for preparert piano (1944)
• The Unavailable Memory of, for preparert piano (1944)
• Triple-Paced No. 2, for preparert piano (1944)
• The Perilous Night, suite for preparert piano (1944)
• A Valentine Out of Season, for preparert piano (1944)
• A Book of Music, for to preparerte piano (1944)
• Crete, for piano (1944–45)
• Dad, for piano (1944–45)
• Mysterious Adventure, for preparert piano (1945)
• Soliloquy, for piano (1945, eigentleg ein del av Four Walls)
• Experiences No. 1, for to piano, firehendig (1945)
• Three Dances for to preparerte piano (1945)
• Daughters of the Lonesome Isle, for preparert piano (1945)
• Ophelia, for piano (1945)
• Prelude for six instruments i A-moll for fløyte, fagott, trompet, fiolin, cello og piano (1946, eit arrangement av det andre stykket frå Two Pieces for piano frå 1946)
• Two Pieces, for piano (1946)
• Music for Marcel Duchamp, for preparert piano (1947)
• Nocturne, for fiolin and piano (1947)
• Balletten The Seasons, versjonar for piano og for orkester (1947)
• Dream, for piano eller bratsj og ensemble med fire bratsjar (1948)
• Experiences No. 2 for song (1948)
• In a Landscape for piano eller harpe (1948)
• Sonatas and Interludes, for preparert piano (1946–48)
• Suite for Toy Piano, for leikepiano eller piano (1948)
• A Flower, for song og lukka piano (1950)
• Works of Calder, filmmusikk for preparert piano og tape (1950)
• String Quartet in Four Parts, for strykekvartett (1949–50)
• Six Melodies, for fiolin og tangentinstrument (1950)
• Concerto for prepared piano, for preparert piano og kammerorkester (1950–51)
• Haiku [5], for piano (1950–51)

1951–59 (første aleatorikkverka)

• Sixteen Dances for fløyte, trompet, 4 perkusjonistar, piano, fiolin and cello (oktober 1950 – januar 1951)
• Imaginary Landscape No. 4 (March No. 2), for 12 radioar, 24 opptredande og ein dirigent (april 1951)
• Music of Changes, for piano (mai – desember 1951)
• Seven Haiku, for piano (juli 1951 – 1952)
• Waiting, for piano (7. januar, 1952)
• Imaginary Landscape No. 5 for kva som helst slags 42 opptak (12. januar, 1952)
• Two Pastorales, for piano eller preparert piano (31. januar, 1952)
• Water Music for pianist og ulike gjenstandar (våren 1952)
• For M.C. and D.T., for piano (1952, før august)
• Music for Carillon No. 1, for klokkespel (10. juli, 1952; 2- og 3-oktavar-transkripsjonar laga i 1958 og 1961)
• 4′33″ for valfritt instrument eller kombinasjon av instrument (august 1952, andre versjon c. 1960)
• Music for Piano 1, for piano (desember 1952)
• Williams Mix, for tape (1952–53, ferdigstilt 16. januar, 1953)
• Music for Piano 2, for piano (mai 1953)
• Music for Piano 4–19, for valfritt nummer av piano (mai 1953)
• Music for Piano 3, for piano (juni 1953)
• 59½" For a String Player, for valfritt 4-strengsinstrument (2. juli, 1953)
• Music for Piano 20, for piano (20. august, 1953)
• Music for Carillon No. 2, for klokkespel (januar 1954; 2-oktavversjon laga i januar 1961)
• Music for Carillon No. 3, for klokkespel (januar 1954; 2-oktavversjon laga i januar 1961)
• 34'46.776" For a Pianist, for preparert piano (1954, før 17. oktober)
• 31'57.9864" For a Pianist, for preparert piano (1954, før 17. oktober)
• 26'1.1499" For a String Player, for strengeinstrument (1953–55, ferdigstilt i august – september 1955)
• Music for Piano 21–36, 37–52, for piano solo eller i eit ensemble (1955, ferdigstilt 11. oktober)
• Speech 1955, for nyhendelesar og 5 radioar (november 1955)
• 27'10.554" For a Percussionist, for perkusjon (14. januar, 1956)
• Music for Piano 53–68, for piano solo eller i eit ensemble (mai 1956)
• Music for Piano 69–84, for piano solo eller i eit ensemble (mai 1956)
• Radio Music, for éin til åtte opptredande som bruker radio (mai 1956)
• Winter Music, for piano (januar 1957)
• For Paul Taylor and Anita Dencks, for piano (september 1957)
• Haiku, for valfrie instrument eller gjenstandar (januar 1958)
• Variations I, for valfritt nummer av opptredande, og valfritt nummer og typar av instrument (20. januar, 1958)
• Concert for piano og orkester (1957–58, ferdigstilt før 15. mai)
• Solo for Voice 1, for song (1958, før 25. mai)
• Music Walk, for piano og ulike gjenstandar (24. september, 1958)
• TV Köln, for piano, med fritt val av ulike gjenstandar (oktober 1958)
• Fontana Mix, for tape (november 1958)
• Aria, for song (november eller desember 1958)

1958-68 (happenings, teater)

Sjå òg: Happenings

• Sounds of Venice, for fjernsynssett (ein opptredande) (1959)
• Water Walk, eit verk for eit fjernsynsprogram for ein opptredande med ulike gjenstandar (1959)
• Cartridge Music, for forsterka lydar (1960)
• Music for Amplified Toy Pianos, for valfritt nummer av leikepiano (1960)
• Music for "The Marrying Maiden" (musikk for eit skodespel), for tape (1960)
• Solo for Voice 2, for solosong eller kor (1960)
• Theatre Piece, for 1 to 8 opptredande (1960)
• WBAI (1960) – hjelpepartitur til framføring med andre verk
• Where Are We Going? And What Are We Doing?, komponert lektyre, tape (1960–61)
• Atlas Eclipticalis for eit ensemble på 86 instrument (1961–62)
• Music for Carillon No. 4, for elektronisk instrument med akkompagnement (1961)
• Variations II, for valfritt nummer opptredande og valfritt nummer og typar av instrument (1961)
• Music for Piano 85, for piano og elektronikk (1962)
• Variations III, for valfritt nummer av menneske som framfører valfrie handlingar (1962)
• 0'00" (4'33" No. 2), solo for kva som helst slags opptredande (1962)
• Variations IV for valfritt nummer av opptredande, valfri lyd eller kombinasjonar av lydar produserte på valfri måte, med eller utan andre aktivitetar (1963)
• Electronic Music for Piano, for solo piano (eller valfritt nummer piano) med elektronikk (1964)
• Rozart Mix, tape-loopar (1965)
• Variations VI, for fleire lydsystem (1966)
• Music for Carillon No. 5, for eit fireoktavsinstrument (1967)
• Variations VIII, ingen musikk eller opptak (mai 1967; revidert i 1978)
• Assemblage, for elektronikk (1968)

1969–86 (tilbake til komposisjon)

• HPSCHD, for éin til sju forsterka cembaloar og éin til 51 tapar (1967–69, akkompagnert med Program (KNOBS) for the listener, ein instruksjon om koss ein speler av opptaket av stykket)
• Cheap Imitation, for piano (1969; orkestrert i 1972, fiolinversjon i 1977)
• Sound Anonymously Received, for eit instrument (1969, kanskje i 1978)
• Untitled (Work for Antoinette Vischer), for cembalo (før 1969)
• Dialog, for to opptredande med ulike gjenstandar (1970, kanskje 1977; òg kjend som Dialogue)
• Song Books (Solos for Voice 3–92), for ei eller fleire stemmar (august – oktober 1970, solo for stemme 85 arrangert for fiolin som Chorals i 1978)
• Mureau, for ein eller fleire speakerar og tape ad lib (november 1970)
• WGBH-TV, for komponist og teknikarar (1971)
• Bird Cage, for tolv tapes (april 1972)
• Etcetera, for lite orkester, tape og tre dirigentar (valfritt) (august 1973)
• Exercise, for eit orkester av solistar (november 1973, basert på Etcetera; andre versjon ferdigstilt i desember 1984)
• Etudes Australes, for piano (1974–75, ferdigstilt i desember)
• Score (40 Drawings by Thoreau) and 23 Parts, for 23 opptredande; valfrie instrument og/eller stemmar (august 1974)
• Child of Tree (Improvisation I), for perkusjon laga av planter og/eller planter brukt som perkusjon (1975, før 8. mars)
• Lecture on the Weather, lektyre for tolv stemmar og tape (september 1975)
• Renga, 78 delar for valfrie instruments og/eller stemmar (1975–76, ferdigstilt i april)
• Quartets I–VIII, for orkester (1976, etter august. Tre versjonar for 24, 41, og 93 opptredande. Arrangert for 12 forsterka stemmar og janitsjarkorps i 1978)
• Branches, for perkusjon laga av planter eller planter brukt som perkusjon (1976)
• Telephones and Birds, for tre opptredande (1977, før 18. januar)
• 49 Waltzes for the Five Boroughs, for opptredar/opptredande, eller lyttar(ar), eller record maker(ar) (1977, før 6. oktober)
• Freeman Etudes, for fiolin (1977–80, 1989–90)
• Inlets (Improvisation II), for fire opptredande med conch-skjell og lyden av brann (september 1977)
• Cassette for fem opptredande med valfritt nummer av tapar (1977, før 7. desember. Brukt i Address, sjå Happenings)
• Alla ricerca del silenzio perduto (Il Treno), for "preparert tog" (desember 1977)
• A Dip in the Lake: Ten Quicksteps, Sixty-two Waltzes, and Fifty-six Marches for Chicago and Vicinity, for opptredar/opptredande, eller lyttar(ar), eller record maker(ar) (1978, før mai)
• Some of the "Harmony of Maine", for organist og tre assistentar (12. november, 1978)
• Etudes Boreales, for cello og/eller piano (1978)
• Hymns and Variations, for tolv forsterkar stemmar (januar 1979)
• Roaratorio, an Irish circus on Finnegans Wake, tape (april – september 1979; ein realisering av ____,____ ____ circus on ____, eit sett med instruksjonar om å transkribera ei valfri bok eit valfritt ensemble)
• Improvisation III, for fire eller fleire kassettspelarar (februar 1980)
• Furniture Music Etcetera, for to piano (27. april, 1980; delvis basert på Etcetera)
• Litany for the Whale, for to songarar (juli 1980)
• Thirty Pieces for Five Orchestras, for fem orkester (1981, før 22. november)
• Instances of Silence, for valfritt nummer av kassettspelarar og tapar (1982, før 16. mars)
• Postcard from Heaven, for éi til 20 harper (juni 1982)
• Improvisation IV (Fielding Sixes), for tre kassettspelarar (1982, før 30. juni)
• Dance/4 Orchestras, for fire orkester (1982, før 22. august)
• Fifteen Domestic Minutes, for musikkavspelarar på ulike radiostasjonar (august 1982)
• An Alphabet, radiospel (1982)
• ear for EAR (Antiphonies), for stemmar (kanskje 20. januar, 1983)
• Ryoanji, for kontrabass, trombone, obo, song, perkusjon, og lite orkester (1983; delar lagt til i 1983–85, og ein uferdigstilt cellostemme finst frå 1992)
• R/13 (where R=Ryoanji), for perkusjonist med tretten gjenstandar (26.–28. juli, 1983)
• Souvenir, for orgel (september 1983)
• Thirty Pieces for String Quartet, for string quartet (September 1983)
• HMCIEX, tape for radio (1983–84)
• Perpetual Tango, for piano (February 1984)
• Haikai, for flute and zoomoozophone (July 1984)
• Nowth upon Nacht, for voice and piano (July 1984)
• A Collection of Rocks, for choir and orchestra (October 1984)
• Eight Whiskus, for low voice (November 21, 1984; reworked for violin in March 1985)
• Mirakus², for voice (November or December 1984)
• Selkus², (November or December 1984)
• ASLSP, for piano or organ (January 1985)
• Sonnekus², for voice (February 1985)
• The first meeting of the Satie society the socie satiety, for two speakers, one female singer, musicians and/or tapes (January – March 1985)
• But what about the noise of crumpling paper which he used to do in order to paint the series of "Papiers froisses" or tearing up paper to make "Papiers dechires?" Arp was stimulated by water (sea, lake, and flowing waters like rivers), forests, for percussion ensemble (August 1985)
• Etcetera 2/4 Orchestras, for four orchestras and tape (December 1985)
• Voiceless Essay, for four computer-generated tapes (1985–86)
• Wishing Well, for four speakers (early 1986)
• Hymnkus, for voice and chamber ensemble (1986, probably before May 14)
• Improvisation A+B, for voice, clarinet, trombone, percussion and orchestra (1986, before May 14)
• Rocks, for various electronic devices (May 5, 1986)
• Haikai, for gamelan ensemble (October 1986)

Number Pieces and other late works (1987–92)

See also: Number Pieces

• Music for ________, seventeen parts with no score, for a variable chamber ensemble (1984–87)
• Essay (Writing through the Essay "On the Duty of Civil Disobedience"), for computer-generated tapes (1987–88)
• Two, for flute and piano (April 1987)
• Organ²/ASLSP, for organ (June 1987)
• One, for piano (December 1987)
• Europeras 1 & 2, for 19 voices and 21 musicians (1987, Europeras include a piece for tape called Truckera, also 1987)
• Five, for any five instruments or voices (January 1988)
• Solos for Voice 93–96 (Four Solos for Voice), for voice(s) (April 1988)
• Seven, for flute, clarinet, percussion, piano, violin, viola and cello (May 1988)
• Twenty-Three, for 13 violins, 5 violas and 5 cellos (1988, before June 21)
• Five Stone Wind, for three performers with clay drums, electronics and unspecified instruments (June – July 1988)
• 101, for orchestra (1988, before November 13)
• Four, for string quartet (1989, before May 9)
• One², for 1 to 4 pianos (summer 1989)
• Three, for three recorders (July 1989)
• Two², for two pianos (1989, after July 28)
• One³, for solo performer (late 1989)
• Sculptures Musicales, for electronics (1989, before September 23)
• Sports: Swinging, after Satie, for piano (1989)
• The Beatles 1962–1970, piano and, optionally, tape (1990, possibly 1989)
• c Composed Improvisations, for bass guitar, snare drum and one-sided drums with or without jangles (1987–90)
• One⁴, for solo drummer (1990)
• Fourteen, for piano, flute/piccolo, bass flute, clarinet, bass clarinet, horn, trumpet, 2 percussionists, 2 violins, viola, cello and double bass (1990, before May 12)
• One⁵, for piano (May 1990)
• Europeras 3 & 4, for 6 voices, 2 pianos, 12 victrolas and tape (1990, Europeras include a piece for tape called Truckera, composed 1987)
• One⁶, for violin (June 1990)
• Seven², for bass flute, bass clarinet, bass trombone, two percussionists with unspecified instruments, cello and contrabass (1990, before July 23)
• One⁷, for any sound-producing object (late 1990)
• Scottish Circus, for Scottish folk band of any number of musicians and any instruments/voices (September 1990)
• Four², for SATB choir (October 1990)
• One⁸, for cello (April, 1991)
• 108, for orchestra (April 1991)
• Europera 5, for 2 voices, piano, victrola, tape/TV/radio (1991, before April 12)
• Eight, for flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone and tuba (1991, before May 14)
• Three² for three percussionists with unspecified instruments (May 1991)
• Four³, for one or two pianos, twelve rainsticks and violin/oscillator, all operated by four performers (May 1991)
• Five², for English horn, 2 clarinets, bass clarinet and timpani (May 1991)
• Lullaby, for musical box (May 1991)
• One⁹, for shō (July 1991)
• Two³, for shō and five conch shells (July 1991)
• Two⁴, for violin and piano or shō (July 1991)
• Six, for six percussionists with unspecified instruments (September 1991)
• 103, for orchestra (September 1991)
• Two⁵, for piano and tenor trombone (October 1991)
• Four⁴, for percussionists with unspecified instruments (October 1991)
• Four⁵, for four saxophones (October 1991)
• Five³, for trombone and string quartet (October 1991)
• Five⁴, for soprano saxophone, alto saxophone and 3 percussionists (October 1991)
• Five⁵, for flute, 2 clarinets, bass clarinet and percussion (October 1991)
• Five Hanau Silence, for tape (October 1991)
• Ten, for flute, oboe, clarinet, trombone, percussion, piano, 2 violins, viola and cello (October – November 1991)
• Twenty-Six, for 26 violins (December 1991)
• Twenty-Eight, for wind ensemble (December 1991)
• Twenty-Nine, for two timpani, two percussionists, piano and strings (December 1991)
• Twenty-Eight, Twenty-Six and Twenty-Nine, for orchestra (December 1991, a combination of Twenty-Six, Twenty-Eight and Twenty-Nine)
• Mozart Mix, for five cassette players (1991)
• One¹⁰, for violin (February 1992)
• Sixty-Eight, for orchestra (February 1992)
• Eighty, for orchestra (February 1992)
• Four⁶, for four performers with any means of producing sounds (March 1992)
• Seventy-Four, for orchestra (March 1992)
• Fifty-Eight, for wind orchestra (March 27, 1992)
• Two⁶, for violin and piano (April 1992)
• Thirteen, for flute, oboe, clarinet in B-flat, bassoon, trumpet in C, tenor trombone, tuba, 2 percussionists, 2 violins, viola and cello (May 14, 1992)
• Muoyce II (Writing through Ulysses), for speaker and tapes (May 1992)
• One¹¹, for solo cinematographer (1992)
• One¹², for solo lecturer (1992, before June 22)

Happenings

• Black Mountain Piece, mixed-media performance (1952, only a fragment survives)
• Variations V, audio-visual performance (1965)
• Variations VII, mixed-media performance (1966)
• Musicircus, mixed-media performance (1967)
• Newport Mix, event with audience-provided tape loops (1967)
• Reunion, event (1968)
• Mewantemooseicday, event (1969)
• 33 1/3, installation with record players (1969)
• Demonstration of the Sounds of the Environment, event (1971)
• Les chants de Maldoror pulvérises par l'assistance même, event (1971)
• Apartment House 1776, mixed-media event (1976)
• Address, mixed-media event (1977)
• Sounday (Toneday), radio event (1978)
• Concerto Grosso, installation (1979)
• Paragraphs of Fresh Air, radio event (1979)
• Silent Environment (1979)
• Evéne/Environne METZment (1981)
• A House Full of Music, for 200 performers from music schools (1982)
• Musicircus for Children (1984, based on A House Full of Music)

Collaborations

• Marriage at the Eiffel Tower, for two pianos and various objects (1939) – with Henry Cowell, George Frederick McKay, Silvestre Revueltas, and Amadeo Roldán
• Double Music, for four percussionists (1941) – with Lou Harrison
• Party Pieces: Sonorous and Exquisite Corpses, for any melodic and/or keyboard instruments (1945) – with Henry Cowell, Lou Harrison and Virgil Thomson
• Music for "Museum Event No. 5", mixed-media performance (1967) – with Toshi Ichiyanagi, Gordon Mumma and David Tudor
• Vis-à-vis, for two performers (1986) – with Tōru Takemitsu

Arrangements

• Arrangement of Socrate (Erik Satie) (1944 or 1947)
• Adaptation of Ixion (Morton Feldman) for chamber ensemble or 2 pianos (1958)
• Collage of some Studies for Player Piano (Conlon Nancarrow) on tape (1964)
• Adaptation of some Studies for Player Piano (Conlon Nancarrow) (1969)

Unfinished and incomplete works

• Quest, for various objects (first movement) and piano (second movement) (1935, only the second movement survives)
• Chess Pieces, for piano (1943)
• Encounter, for piano (1946)
• Unfinished work for voice (1953)
• Unfinished work for magnetic tape (c. 1952–53)
• One¹³, for one live cello and recordings of three cellos (1992)
• Sixteen, for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, bass trombone, piano, 2 percussionists, 2 violins, viola, cello and double bass (1992)

Lost works

This section lists works for which the location of manuscript is unknown, or which possibly were not notated.

• Untitled composition, 1931
• Etudes, for piano (1932, possibly same as the untitled composition of 1931)
• Duet, for two flutes (1934)
• Music for Xenia, for piano (1934)
• Allemande for clarinet (1934)
• String Quartet (1936)
• Music for an Aquatic Ballet (1938)
• 25 Ballets in 1 act for a solo dancer (1939)
• Ho to AA, for voice and piano (1939)
• America was promises, for voice and piano 4 hands (1940)
• Four songs of the moment, for piano (1940)
• Prelude to Flight, for piano? (1940)
• Spiritual, for piano (1940)
• Opening dance, for piano (1942)
• Shimmera, for prepared piano (1942)
• Lidice, for prepared piano (1943)
• The Feast, for piano (1945)
• Thin Cry, for piano (1945)
• Foreboding, for piano (1946)
• Orestes, for piano? (1948)
• First Week of June (1970)
• Untitled (work for Joao Miró), for piano (1970)
• 52/3 (1972)
• Music for "Westbeth", for piano? (1974)
• Pools, for a single performer (1978, based on Inlets)
• Seventeen, for (1992, possibly similar to Sixteen or does not exist)
• Otte, for violin (1992, spurious, probably not by Cage or does not exist)

Literary works

• Silence: Lectures and Writings (1961)
• A Year from Monday (1968)
• M (1973)
• Empty Words (1979)
• X (1983)

Kjelder

• Denne artikkelen bygger på «Verk av John Cage» frå Wikipedia på engelsk, den 31. juli 2010.